the photography of 'orio' is initiated from the idea of a personal journey and how often a life can be transposed into an almost film like sequence, therefore documented continously. the way in which the imagery captures a scene yet the contents of the images has no specific subject or memorable factors opposes the reason for them. each of the images above is almost like a still within a film, as they have a sense of narrative, even though there is an obvious lack of subject. when looking at the imagery due to the almost temporary stillness of the images instantly triggers the imagination to generate the narrative of them. this lack of narrative due to subject removal instantly indicates a disconnection as there is an absense.
the use of space and the contents that is present within the imagery, such as mundane almost ordinary objects such as furniture, triggers the mind to link the objects to there prime function thus creating the void in the fact that this is absent within the imagery.
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